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Originally published October 12, 2012 at 12:00 PM | Page modified October 14, 2012 at 9:31 AM
Jim Olson designs a home for art and those who treasure it
Olson of Olson Kundig Architects considers those who worked on the home also to be artists: interior designer Garret Cord Werner, lighting designer Brian Hood and landscape architect Charles Anderson.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
"I lived near the water a long time, but I never felt it until here," says the homeowner of this Bellevue home designed by Jim Olson of Olson Kundig Architects. "It's all about floating and dreaming," says Olson.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
"We call it the pavilion," Olson Kundig architect Jim Olson says simply. The ceiling is steel and fir and glass. The mahogany and nickel table was designed by interior designer Garret Cord Werner.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
"At one end we made a concrete cave," Olson says. "At the other is a little paradise platform where you look at gardens and you appear to be floating on water." Steven Carpenter and project manager Les Eerkes also worked on the home.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
"It is all because of Jim Olson," the homeowner says of this place for living, entertaining and art. "Instantly we connected. It's magic." Natural materials are left slightly raw for elegant but not overly refined spaces. "Kind of a casual feeling," Olson says. Furniture is Holly Hunt with custom fabrics.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
"You come to this door, it's the only solid thing there," Olson says. "It takes you in, you see through the house and you see that sculpture." The boatlike mosaic-tile piece is by Ann Gardner. It was made for the home. The outdoor sculpture is "Uno" by Bernard Hosey.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
"It's basically a pavilion where you have this very intimate relationship with the garden all around you," Olson says. In the entry courtyard is a Peter Millett sculpture, which Olson found at Greg Kucera Gallery.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
The goal in the master bathroom, architect Jim Olson says, "is to create a space that is completely seamless with the garden outside. And so we created a window where the edges are hidden . . . There's the Julie Speidel outside, and there are smaller pieces of hers inside on the ledge."
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
"One of the living spaces is for winter and nighttime and the other is for summer and daytime," Olson says. This is the summer space. The furniture is from Holly Hunt with custom fabrics. Werner designed the walnut-and-steel coffee table and the carpet.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
"I think of the powder rooms as installations by Garret. They're like architectural jewelry," Olson says. Stephen Hirt crafted the art glass here. The light over the sink is part of GCW's lighting collection. The vanity is nickel with fused-glass accents.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
"I want every piece to have its own space," says the homeowner of her art. The glass sculpture on the right is by Joe McDonnell and was commissioned for this spot. The piece on the wall, Buddhas with red stocking caps, is by Catherine Eaton Skinner.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
The magnificent table, mahogany and nickel, and carpet were designed by Garret Cord Warner. Chairs are Holly Hunt. "I consider Garret an artist who did pieces in the house in a similar way I think of Julie Speidel or whoever," Olson says. "I guess you could call me a Northwest artist, too. And then (landscape architect) Charles Anderson, too. On every level." Of the table, Werner says, "It's a feat of engineering. It's suspended on two nickel pedestals. So it floats like a big airplane wing. And it can be disassembled."
TO SIT IN the living room of this massive and open glass longhouse on the shore of Lake Washington in Bellevue is to never be alone.
Dale Chihuly and Guy Anderson and Preston Singletary and Gerard Tsutakawa and Julie Speidel and Ann Gardner and Peter Millett are here for company. The works of these Northwest artists are on shelves, coffee tables, the walls, the floor, outside, overhead. Everywhere.
And that's only the view over the edge of the teacup, refreshment offered in welcome.
"I just want to hang more art," says the homeowner, a woman who is fueled by the creative spirit. Of her home's design she says, "It's a simple concept."
And it is. Simple, though, isn't easy. Architect Jim Olson of Olson Kundig Architects, with interior designer Garret Cord Werner, lighting designer Brian Hood and landscape architect Charles Anderson, just make it look that way. Running down the length of the truly great room, which Olson calls the pavilion (3,060 square feet filled with possibility), is a 35-foot-long table, mahogany and nickel, ready to seat, oh, 40 for dinner. Beneath lowered ceilings on either end are two living-room areas: one as light as outdoors itself, surrounded by glass, next to a reflecting pool; the other darker, intimate, a fireplace, concrete walls, a bar. Outside spaces mimic the interior in function: living area with fireplace, kitchen, dining area, expansive lawn, long terrace.
"It is the most beautiful art," the homeowner says of work from our little corner of the country as she leads a home tour that proceeds artwork by artwork. Cris Bruch to Kenneth Callahan. Rob Snyder to Dennis Evans and Nancy Mee. Lino Tagliapietra. Catherine Eaton Skinner.
A mad passion for the arts, though, can be a slippery slope. Because what you see here is an entire house designed for art. Designed to display it: "I want every piece to have its own space." And to help the groups that support it: "We got involved with the arts organizations and McCaw Hall and the expansion of the Seattle Art Museum and PNB. And we lend our property for things like this."
Guests and even more art (William Morris, Paul Horiuchi) stay next door, the Mediterranean across the entry court. It had been the family's home for many years. She wanted to sell it when they got the place next door and decided to build. Her sentimental daughters wouldn't hear of it.
"We saw a construction company building a home in Meydenbauer Bay, Toth Construction," the homeowner says of their building process. "We thought they were doing an incredible job. We asked if they would build our house. They introduced us to a lot of architects, and we met Jim. We told him we just wanted one big room, and he was so excited. He drew it up, we tweaked it a little and that was it."
Not only did Olson design the home, he also helped his client find and commission magnificent pieces for it.
"He went with me to John Braseth's gallery, and we saw that Guy Anderson," she says, pointing out the large white painting in the truly great room. "He said, 'This is it.'
"This is great fun for me," says the homeowner, who's found her niche with her own painting and collecting Northwest art. "Before when we traveled we just picked up things. Finally, I feel, wow, it's exciting to collect art."
And now there is a place for each piece.
Rebecca Teagarden writes about architecture and design for Pacific NW magazine. Benjamin Benschneider is a magazine staff photographer.




















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