Originally published June 1, 2012 at 11:46 AM | Page modified June 8, 2012 at 12:27 PM
Joe Herrin designs a glass cabin on Orcas Island
There are no interior walls except for the utility room on one end of the house and the guest rooms on the other.
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
The glass house, on the north shore of Orcas Island, does nothing to impede the view of the Georgia Strait. The two guest suites are on the left, tucked into the standing-seam metal siding. The all-important window-wall system in this house is from Fleetwood Windows & Doors.
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
The living room holds a wall of storage beneath a ceiling 12 feet high. Behind this wall are the two guest suites, entered through the exterior of the structure.
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
The pantry just behind the kitchen keeps everything in its place and out of sight.
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
The kitchen was designed for people who love to cook. The island and counter are Italian marble. Behind the frosted-glass wall is a prep kitchen. Chris Loop crafted all the cabinetry in the house. The floors, heated, are alder end grain.
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
Contemporary and open, cozy and warm, the North Beach home is a glass cabin for two modernists.
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
The master bathroom can be made private from the meadow side, but not the water. The wall is Italian marble. "Everything inside the glass cube is marble," says architect Joe Herrin. "I drew it up, but Rysia picked the marble, bought the marble and sourced the marble."
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
The guest suites share a shower, also lined in Italian marble, like the other surfaces throughout the home.
WHAT YOU don't see is what you get from Rysia and John's home on the north shore of Orcas Island.
Rysia, an interior designer, and her husband, John, an engineer, fell hard for Orcas in 1981. Back when it was still one of those tune-in-turn-on-drop-out kind of islands. They bought their piece of it, 3 ½ acres, for around $300,000 and spent summers there, at water's edge along the Georgia Strait in a small, modular home that came with.
Rysia, who has designed interiors for major corporate clients, spent the next two dozen years imagining her ideal island house; few walls, high ceilings, low-impact, energy-efficient, easy to maintain. And that is what you see here, 2,070 square feet of glass and Italian marble that, as a package, appears hardly there at all and glows like a home in one of heaven's better neighborhoods.
"The Philip Johnson Glass House. We had photos of that house on the wall," says architect Joe Herrin of the inspiration. "You sit on the toilet and you're looking out."
Simple. But simple isn't easy. And this, most certainly, was not. For more than 1,000 years, the Lummi Indians used the land as a winter camp. There were artifacts (stones and shells made into tools), and the discovery barred any turning up of the earth. Also, the property sits in a flood zone. Any structure built there would need to be raised, yet (returning to Problem A) without digging.
But here the home sits. Carried from dream into reality by Herrin, a former co-worker, of Heliotrope Architects in Seattle and built by Orcas contractor Dave Shore of Dave Shore Construction. A mat-slab foundation (the concrete poured over the grass) with walls on the edges holds the house in a hover at 3 ½ feet. Glass walls dominate the long sides of the home that is just 28 feet wide: trees and meadow on one; driftwoody beach and, off in the distance, Canada on the other.
An ipe deck runs the length of the house on both sides. There are no interior walls except for the utility room on one end of the house and the guest rooms on the other. Living room, dining, kitchen open. Only opaque glass separating the kitchen and the master bedroom, sandwiching a pantry, walk-in closet and bathroom in between.
The green roof planted in red poppies reduces rainwater runoff. The rest is collected for irrigation. Rooftop solar-thermal collectors provide hot water both for drinking and for hydronic heating. Photovoltaic panels supplement electricity needs.
The home is racking up awards. In December the North Beach residence received a Best of the Year award from Interior Design Magazine. Also last year, American Institute of Architects chose it for a National Housing Award, sort of the Oscars of residential architecture. And in 2009 it received a Merit Award for Washington Architecture from Seattle AIA.
"Rysia and John are friends of mine, and I love it that they love it," Herrin says. "That's the most important thing to me."
Rebecca Teagarden writes about design and architecture for Pacific NW. Benjamin Benschneider is a magazine staff photographer.




















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