Skip to main content
Advertising

Originally published Sunday, November 3, 2013 at 4:05 AM

  • Share:
           
  • Comments (1)
  • Print

‘Burial Rights’: restoration and retribution after a crime

Hannah Kent’s bleak and beautiful novel “Burial Rights” is based on a famous Icelandic crime, as it follows one of the accused as she awaits her execution.


The Washington Post

Most Popular Comments
Hide / Show comments
It's Burial RITES, not Burial Rights. Author may want to correct this... MORE

advertising

‘Burial Rights’

by Hannah Kent

Little, Brown, 322 pp., $26

At the heart of Hannah Kent’s bleak and beautiful debut novel is a famous Icelandic crime: In March 1828, three people allegedly murdered two farmers and set fire to their home. All three were caught and condemned to death.

Kent begins the story when Agnes, one of the convicted murderers, is moved to the home of District Officer Jon Jonsson to await execution. Jon lives up north in the shadow of the Vatnsdalsfjall range, with his doughty, no-nonsense wife, Margret, and their two young daughters. Anxious about her impending death, Agnes requests the ministrations of a spiritual adviser, a young assistant reverend named Tóti, who has no idea why the condemned woman would ask for him by name.

Conditions are close in Jon’s simple farmstead, where dried seaweed fills the pillows and stretched sheep’s bladders stand in as window glass. The house is dank and chilly, and the farm work is hard, but it all seems like paradise to Agnes. Margret gradually drops her wariness, and Agnes’ spiritual sessions with Reverend Tóti evolve from lectures to something akin to talking cures — which doesn’t sit well with District Commissioner Björn Blöndal. He warns the young reverend, “You must apply the Lord’s word to her as a whip to a hard-mouthed horse.”

Kent handles her starkly austere story with uncanny precision and an utter lack of sentiment. As shocked by the crime as the people of this rural community might be, they’re under no illusions that either of the dead farmers was a saint.

But even in 19th-century rural Iceland, politics is politics: Blöndal is determined to make an example of Agnes. He doesn’t care about the restorative effect that the Korns valley is having on Agnes. As her relationship with Margret deepens, readers increasingly dread the certainty of what’s coming. By the time this wondrously adept novel reaches its conclusion, those readers will share Margret’s despairing realization: “Nothing is simple.”



News where, when and how you want it

Email Icon


Advertising
The Seattle Times

To keep reading, you need a subscription.

We hope you have enjoyed your complimentary access. Subscribe now for unlimited access!

Subscription options ►

Already a subscriber?

We've got good news for you. Unlimited seattletimes.com content access is included with most subscriptions.

Subscriber login ►